Movement A (Vom Himmel hoch) is the only a cappella movement. Esurientes (The hungry) is sung by the alto, accompanied by two flutes. [116] The "synthetic" D major version, that is the D major version of the Magnificat with the Christmas laudes transposed to fit in that version, now published both by Novello and Bärenreiter, found performers and audiences. Ed. It is possible that Bach produced his new version of the Magnificat for this occasion, although Christmas of the same year as first performance date for the new version is possible too: it can not be determined with certainty on which day around 1732–1735 the D major version of the Magnificat was first performed, and until when Bach amended the score to its final state. (Sleeve)", Magnificat E-flat major and Christmas hymns, Von Himmel hoch (SATB) / Freut euch und jubiliert (SSAT, continuo) / Gloria (SSATB with colla parte instruments & violino obligato) / Virga Jesse (fragment – S, B, continuo), "Magnificat Es-Dur BWV 243a (mit den vier Einlagesätzen: Vom Himmel hoch / Freut euch und jubilieret / Gloria in excelsis / Virga Jesse floruit). And this performance of the Prelude and Fugue in B-flat from Book 2 of the Well-Tempered Clavier was performed by one of the most expressive of Bach interpreters, Andras Schiff. [81] Although the D major version remained the standard for life performance and studio recordings, half a century later also the E-flat major version had been published in new editions adapted to performance,[82] it had been recorded several times, and its composition history had been further unravelled. It is an ‘old-fashioned’ but delightful five-voiced work that uses Latin, just like the other rarity among Bach’s works, the Mass in B minor.The text comes from the Gospel of Luke, and is about the visit made by Mary to her cousin Elisabeth, who was also pregnant. Identified by their loud buzzing noises, they are one of the most distinctive instruments in the brass family. 1-49. He had already dazzled his new community over the previous six months with a mind-boggling pace of cantata performances each week, only a handful of which weren’t completely new compositions. Its CD-release as volume 8 of the Maderna Edition by Arkadia was in 1991. [74] Some commentators see an atmosphere close to aggression,[75] others rather an evocation of multitude. Bach's Magnificat is built symmetrically around the 7th movement (Fecit potentiam):[15] Between the first and the 7th movement there are four verses of the Magnificat, between the 7th and the last there are also four. Philippe Herreweghe leads Collegium Vocale of Ghent, here on The Bach Hour. Stuart gives us some advice you need to have to play the piccolo sweetly and without difficulty. In 1723, after taking up his post as Thomaskantor in Leipzig, Bach set the text of the Magnificat in a twelve movement composition in the key of E-flat major. [23] Also settings of the German text of the Magnificat were current from the early 17th century, without one form suppressing the other.[23]. The form is a chorale fantasia, with all sopranos singing the 1539 chorale melody attributed to Luther as a cantus firmus, while the lower voices make the counterpoint by imitating sections of the melody line in diminished time. While he was not a seasoned composer of operas like Vivaldi, Bach’s Magnificat is no less dramatic than the Gloria. [50] Further, Bach copied Latin Magnificats by other composers: Bach's Magnificat consists of eleven movements for the text of Luke 1:46–55, concluded by a twelfth doxology movement. [113] Thomas Hengelbrock's recording of BWV 243.1, with the Balthasar-Neumann-Chor and Ensemble, was released by Deutsche Harmonia Mundi in 2008. [45] In 1982 Melchior Hoffmann was identified as the composer of this German Magnificat Meine Seel erhebt den Herren. Bach, Johann Sebastian Et Exultavit from Magnificat BWV 243 sheet music for Trumpet - 8notes.com Classical 99.5 | Classical Radio Boston. [69] When inserting the Christmas hymns, building up to the seventh movement alternates arias with choral movements, while in the second half of the composition the choral movements at the outer ends are separated by a set of four arias: solo → solo → duet → trio. Around the time when the D major version of the Magnificat originated, he composed for the same extended chorus in his Mass for the Dresden court. In that publication the hymns were however not transposed to fit in the D major setting of the Magnificat. [70] In such sixteen-movement performance there is however another symmetry: the third section (movement A), and the third counting down from the last (movement 10) both use a Lutheran chorale melody as cantus firmus: soprano voices in the first case ("Vom Himmel hoch, da komm ich her"), instrumental in the second ("Meine Seele erhebt den Herren"). And well before Bach composed his own Magnificat, he wrote a short organ work based on that ancient tune. [72] The ritornello of eight measures introduces a motiv moving up, on a continuo of steady quarter note, for four measures, later sung on Esurientes implevit bonis (He hath filled the hungry with good things), while downward lines and a continuo moving in eighth notes later go with et divites dimisit (and the rich he hath sent away). 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