So it doesn’t have to always be carrying the exact same message with it. Yeah. I’d love to talk a little bit more about the Synthetic Collective. Even though now we see plastics being produced virtually anywhere where there is close proximity to any kind of fossil fuel. This was kind of the very first response to this crisis that was in the media at the time. So it’s a kind of bacterialization of life and a kind of orientation to a kind of queer bacterial formation. Patricia was originally kind of very like, Oh, that sucks, what am I going to say about geology in relationship to this? Heather has 4 jobs listed on their profile. We would have no more digital technologies. So they weren’t considered products that people actually wanted. Teagan Moore has been doing incredible amounts of research to put all of this together. West coast locations? You know, there’s all kinds of much more practical means of really thinking through this in terms of, you know, extended producer responsibility laws and various other kinds of things. And that is just a matter of taking something and throwing it away. Heather Davis is a writer, feminist scholar and curator who teaches at Culture and Media at Eugene Lang College of the New School. They were really developed to fill a need, which was that other kinds of polymeric structures that are things like tortoise shell or horn or ivory of various kinds. The system can't perform the operation now. So it’s called a nurdle or sometimes it’s called mermaid’s tears. Also in terms of our work with the Synthetic Collective, primarily we’re interested in plastic pollution in the Great Lakes, because not a lot of people have done a lot of work on plastic pollution in the Great Lakes. It’s PVC. They’re not these kinds of giant corporations. Table 18 Regression Results for the Relation of Diagnostic Status to Parenting Stress as Mediated by Hyperactivity - "The Relation of Hyperactivity to Parenting Stress within the Parent-Child Relationship in Children with Autism Spectrum Disorders" But when you look into the historical record, it’s really the opposite of that kind of a story. Then it was only after the Second World War that they were transferred into kind of domestic everyday products or household items. It’s February 14, 2020 and we’re in New York City speaking with Heather Davis. Davis works across the fields of environmental arts and humanities, and feminist and queer studies. H Davis, M Chang, CE Andrzejewski, R Poirier, C DiStefano, PA Schutz. So, polyethylene for example, is a fairly benign plastic, whereas polyvinyl chloride or anything that has a chloride monomer in it, in relationship to plastics is incredibly carcinogenic. It doesn’t matter if we all go to the no-waste grocery store in Williamsburg, that is not, it’s just so far outside of the kind of scales at which these things have to be changed. And I think that feminism and queer theory have a lot to offer us in this regard, which is that maybe we don’t want to just see those things only as toxic, right? We should not use the really harmful forms of plastics and we could maybe just only produce the less harmful forms of plastics. The scholar will be a full-time employee of the National Registry, while receiving fully funded tuition towards completion of an approved doctoral program, through a partnership with The Ohio State … So people really wanted those products to make combs, to make billiard balls, to make various other kinds of luxury goods and sort of non-luxury goods. Our approach to liberal arts education was born out of The New School’s vision to transcend intellectual boundaries and reimagine academic norms. That the kind of plastic actually matters a lot. And then what you end up with is some kind of gooey substance mostly. So they up in the Great Lakes because there are a bunch of these factories that surround the Great Lakes because there’s actually a lot of oil refineries around the Great Lakes or particularly around Detroit and Sarnia. To me, what’s interesting in this story is it really illustrates the ways in which disposability and disposable culture and this kind of culture of consumption that we now take very much for granted was very much an industry effort. Because the plastic has to be made next to oil or a natural gas refineries, there has to be a mechanism for being able to get the plastic once it’s made to places where they’re going to make it into an object. One of the goals of the exhibition that we’re doing at the University of Toronto is to put together a User Manual for how to reduce your carbon footprint in relationship to exhibition production. Let’s talk about your work with plastic. Yeah, I was trying to think about the temporalities of plastic, you know, because it does force us to think about time in a different way, because its timescales are so different from this human scale. But I think that certain other things are potentially much more doable. And from a scientific point of view, I think one of the problems is that people are often quite alienated by scientific language and scientific discourse, and the ways in which science disseminates information. They really have this standardization to them, but they make them into these small things so that then they can be shipped. Yeah, that’s it exactly. Like the mushrooms that can digest plastics or the various other kinds of micro-organisms. And then in 1906, then that was the first time that a fossil fuel-based plastic was developed. People really had to be taught to throw stuff away. So those plastics were primarily created through plant materials, through various kinds of celluloses. They’re produced from a cellulose structure from plants. So sometimes they get shipped in container ships, sometimes they’re put on railway lines. So the bottom of the sea is a very different environment than in your kitchen cupboard where mealworms like to live, right? And the public was really skeptical of these items at first. Location: Geffen Hall, Suite 305 Telephone Number: (310) 794-7016 Fax Number: (310) 794-7465 US Mailing Location: UCLA David Geffen School of Medicine University of California, Los Angeles 885 Tiverton Drive, Suite 305 So, you know, it makes a lot of sense to put those plastic bags down. This entire class of chemicals, what it does is that it primarily affects the human endocrine system. I was at the Healthy Materials Labs at Parsons [School of Design] yesterday and they’ve come up with a hemp-based building material, which is really fascinating because you actually don’t need anything except for the hemp to create the qualities of flame retardancy. For the plastic, it’s in order to do things like, you know, make something black or hard or heat-resistant or whatever other kinds of qualities, we want that plastic object to have. Ken Chitwood, Religion Scholar, University of Florida "Heather Choate Davis & Leann Luchinger bravely examine some of the Church’s most divisive and challenging words— words such as “sin”, “confess”, “repent, “submit” — and carefully unpack their meaning for the appreciation of believers and non-believers alike. What would that kind of mean in terms of geographical relocation or the relocation of dumps or the relocation of incinerator plants or those kinds of things? But then the collective wanted to bring this to a wider public. She explores and participates in expanded art practices that bring together researchers, activists, and community members to enact social change. But we might also want to be paying attention to the ways in which things can survive and potentially even thrive under conditions of toxicity. It already does everything that you would want in a building material and something like that to me seems like a good use of a kind of… you wouldn’t necessarily normally talk about that as a kind of biopolymer, but essentially it’s not so dissimilar from a biopolymer. And everything in it was made from plastic, the cushions, the wall coverings, the paints, the housewares, everything. It also got picked up in the New York Times. They really thought of them as cheap, as imitative, as not desirable. So the news and statistics are startling. So feminism for me has always been a justice oriented approach to thinking in the world and to acting in the world. There really is no sense of return to a previous idyllic moment, which as I said before, probably never existed in the first place. Heather is the former Managing Editor of Best Lawyers’ annual peer review guide and U.S. News & World Report’s “Best Law Firms” rankings. And Kelly was really interested in the aesthetics, how these rocks looked. We started out this conversation talking about the chemical industry producing, after the war, a certain kind of mentality where people start disposing of things. And I’m thinking primarily of the American context here and in that context, people really did have to be taught. Curriculum Vitae. So one of the first things that the collective did was to go around and do a study of preproduction plastic pellets that were being released directly into the Great Lakes. So it doesn’t address the production of a subject or our relations to materiality where we really think about things as ultimately disposable or a subject that really interacts with the world and with matter as something that’s inherently ephemeral. Toggle navigation. That’s primarily how it happens, at least as far as we understand up until this moment. Darlene Taylor 1 2, Monica Durigon 1, Heather Davis 3, Chris Archibald 4, Bernhard Konrad 2, Daniel Coombs 2, Mark Gilbert 1, 2, Darrel Cook 1, 5, Mel Krajden 1, 5, 6, Tom Wong 3, Gina Ogilvie 1, 7 1 British Columbia Centre for Disease Control, Vancouver, BC, Canada And so sometimes the website will exist and sometimes the website won’t exist depending on whether it’s sunny or cloudy. Thank you for listening to the Multispecies Worldbuilding Lab. Heather Davis-Remacle, PA-C, joined Tri-State Family Practice & Internal Medicine in June 2018. So how did plastic become so pervasive so fast? 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